How to Read Chinese Poetry in Context is an introduction to the golden age of Chinese poetry, spanning the earliest times through the Tang dynasty (618–907). It aims to break down barriers—between language and culture, poetry and history—that have stood in the way of teaching and learning Chinese poetry. Not only a primer in early Chinese poetry, the volume demonstrates the uni...(展开全部)

In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and proso...(展开全部)

In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and proso...(展开全部)

The Chinese often use the expression du hua, “to read a painting,” in connection with their study and appreciation of such works. This volume closely “reads” thirty-six masterpieces of Chinese painting from the encyclopedic collection of The Metropolitan Museum of Art in order to reveal the major characteristics and themes of this rich pictorial tradition. The book examines mul...(展开全部)

李丹丽（Denise Patry Leidy）， 大都会艺术博物馆亚洲艺术部布鲁克·鲁塞尔·阿斯特专席研究员。参与策划了中国文物方面的重要展览十余次。 译者简介 丁雨，北京大学考古文博学院助理教授，主要研究方向为宋元明考古、陶瓷考古。

The Chinese often use the expression du hua, “to read a painting,” in connection with their study and appreciation of such works. This volume closely “reads” thirty-six masterpieces of Chinese painting from the encyclopedic collection of The Metropolitan Museum of Art in order to reveal the major characteristics and themes of this rich pictorial tradition. The book examines mul...(展开全部)

The Chinese way of appreciating a painting is often expressed by the words du hua," to read a painting." How does one do that? Because art is a visual lanuage, words alone cannot adequately convey its expressive dimension. How to read Chinese Paintings seeks to visually analyze thirty-six paintings and calligraphies from the encyclopedic collection of the Metripolitan Museum of...(展开全部)

Hailed as the most important and most comprehensive single study of Tang poetry to have appeared in English when originally published by Yale University Press in 1981, this Quirin Press Revised Edition brings back into print this much sought after title and offers the full original text with the following features: Older Wade-Giles transliteration fully updated and revised to t...(展开全部)

宇文所安，又名斯蒂芬・欧文。1946年生于美国密苏里州圣路易斯市，长于美国南方小城。1959年移居巴尔的摩。在巴尔的摩公立图书馆里沉湎于诗歌阅读，并初次接触中国诗；虽然只是中文翻译，但他迅速决定与其发生恋爱，至今犹然。1972年获耶鲁大学东亚系博士学位，随即执教耶鲁大学。二十年后应聘哈佛，任教东亚系、比较文学系，现为詹姆斯・布莱恩特・柯南德特级教授。有著作数种，论文多篇。其人也，性乐烟酒，心好诗歌。简脱不持仪形，喜俳谐。自言其父尝忧其业中国诗无以谋生，而后竟得自立，实属侥幸尔。